Joan Jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions … In a startling collusion of form and content, Jonas constructs a theater of female identity by deconstructing representations of the female body and the technology of video. In the work, the video monitor’s vertical hold is used as a formal device to rupture the perceived wholeness of the image on the screen. Jonas made this video in 1972—soon after becoming committed to the rising feminist movement. The roll obscures our view of the scene Jonas is taping. Jonas is one of the most significant artists in the history of video and performance. A 30-second online art project: Title: Vertical Roll Artist: Joan Jonas (American, born 1936) Date: 1972 Medium: Single-channel digital video, transferred from video tape, black-and-white, sound, 19 min., 38 sec. In 1972, she completed Vertical Roll, a black-and-white video centered upon a technological glitch common to television. Over time, the vertical roll’s effect can be disorienting, even slightly nauseating. Video Art Today. American Artist, Looted. From Wikipedia- "Cast as an “electronic erotic seductress,” the multiple costumes and roles performed by Jonas critically examine the ever-changing, but consistently unequal roles of women. Joan Jonas: Vertical Roll 20:00, 1972, USA. In this well-known tape, Jonas manipulates the grammar of the camera to create the sense of a grossly disturbed physical space. See this work in MoMA’s Online Collection. Turned sideways and towards viewers, it … Jonas, who studied sculpture and art history, was … Artist / Artist group Joan Jonas Title Vertical Roll Year 1972 Category video, Analog video Material / Technique Betacam SP, b/w, mono Dimensions / Duration 00:19:53 … From Wikipedia- Cast as an “electronic erotic seductress,” the multiple costumes and roles performed by Jonas critically examine the ever-changing, but consistently unequal roles of women. 1972 Directed by Joan Jonas. And it’s significant that she uses the technology of video to play upon the female form. Jonas' projects and experiments were influential in the creation of video performance art as a medium. Object Details. Artworks. Joan Jonas «Vertical Roll» In this well-known early tape, Jonas manipulates the grammar of the camera to create the sense of grossly disturbed physical space. Courtesy Electronic Arts Intermix (EAI), New York. Interrupting the electronic signal, a rolling black bar scrolls relentlessly downward, revealing a segment of the image for a fraction of a second, in a staccato rhythm that echoes the process of blinking. Explore how artists examine the relationship between gender and society. Joan Jonas (b. This space functions as a metaphor for the … ... Joan Jonas Vertical Roll … Jonas' … “And I made a piece which is structured by that bar…in which I perform around the rolling bar; all my actions are related to that bar….”1. This work consists of a blank screen at the beginning, which constantly rolls … 1936, New York, NY, USA) is a pioneer of video and performance art, and an acclaimed multimedia artist whose work typically encompasses video, performance, installation, sound, text, and drawing. The camera gazes at Jonas… Vertical Roll. A term describing moving-image artworks recorded onto magnetic tape or digital formats, or generated using other mechanisms such as image-processing tools, and available for immediate playback. Main. Joan Jonas, Vertical Roll, 1972: A still from Vertical Roll by Joan Jonas, a video that experiments with the formal limitations of video as a medium. Joan Jonas’s Vertical Roll is widely considered a seminal work in single channel video. Joan Jonas Vertical Roll 1972. Representations of women in the media, and notions of female identity, have long been among the artist’s chief concerns. Performance art is often preceded by, includes, or is later represented through various forms of video, photography, objects, written documentation, or oral and physical transmission. Biography. Trained in art history and sculpture, Jonas … In a startling collusion of form and content, Jonas constructs a theater of female identity by deconstructing representations of the … The space functions as a … 1969. Near the end of the video, Jonas appears in the costume of a belly dancer, and the camera lingers over her exposed middle. Each “blink” offers a fleeting glimpse of a section of Jonas’s body as she performs in front of the camera–either garbed in a feather headdress, wearing a mask, in a belly dancer’s costume, or nude. Video. The rhythm of the images is punctuated by the sound of Jonas relentlessly banging a silver spoon on a surface, which introduces an assertive tone. Currently, video art is represented by … Vertical Roll opens with this bar sliding jerkily down the front of an otherwise blank screen. All of these images are of the artist herself. Trained as a sculptor, Joan Jonas turned to performance and video art in the late 1960s. Vertical Roll (1972) is the videotape for which Jonas … The space functions as a metaphor for the unstable identity of the costumed and masked female figure roaming the screen, negotiating the rolling barrier of the screen’s … Video (black and white, sound), 19:38 min. Still, I was showing my videos and I also performed in galleries—Organic Honey’s Vertical Roll … Joan Jonas Not awkward, but interesting and challenging locations. The visual portrayal of someone or something. Artwork Images. Vertical Roll Critical Review: Joan Jonas's Vertical Roll I watched Joan Jonas's Vertical Roll, a number of times and because of this I ended up viewing the tape in two different ways. Joan Jonas, performing in Robert Ashley’s Celestial Excursions in 2009. Vertical Roll is a seminal work. Beginning in the 1960s, she placed … … Joan Jonas 1972, 19:38 min, b&w, sound Vertical Roll is a seminal work. She took inspiration from feminism, which she said had “a huge influence on my life.”2 Vertical Roll is shaped, in part, by what she describes as “a poetic approach to…expressing my relationship to feminism, [involving] a search for whether or not there could be something such as female art, female imagery.”3 The artist chose video for her mode of expression, because she saw it as one of the few mediums that was not yet dominated by men. Joan Jonas. Synopsis. Joan Jonas - Vertical Roll (1972) Friday, January 18, 2008 Vertical Roll is a seminal work. A pioneer of performance and video art, Jonas works in video, installation, sculpture, and drawing, often collaborating with musicians and dancers to realize … In the same year, she began producing single-channel tapes, among them Vertical Roll … Purposely being outside the white cube, I was interested in different spaces and in the perception of indoors and outdoors. She appears in various states of dress and undress, her body always fragmented by the frame created by the bar. Joan Jonas Vertical Roll, 1972 Artwork Info Artwork title Vertical Roll Artist name Joan Jonas Date created 1972 Classification videotape Medium 3/4" submaster cassette and videotape Dimensions … 1936, New York, NY, USA) is a pioneer of video and performance art, and an acclaimed multimedia artist whose work typically encompasses video, performance, installation, sound, text, and drawing. Joan Jonas (born July 13, 1936) is an American visual artist and a pioneer of video and performance art, and one of the most important female artists to emerge in the late 1960s and early 1970s. A term that emerged in the 1960s to describe a diverse range of live presentations by artists, including actions, movements, gestures, and choreography. Joan Jonas, 'Vertical Roll', 1972 http://krystalsouth.com/joanjonas/ In the work, the video monitor’s vertical hold is used as a formal device to rupture the perceived wholeness of the … Vertical Roll opens with this bar sliding jerkily down the front of an otherwise blank screen. In 1972, Joan Jonas produced a black and white video piece titled Vertical Roll, with a duration of 00:19:37. In Pursuit of a “Female Art” Among others, Steina and Woody Vasulka, Nam June Paik and Peter Campus also contributed to the emergent material discourse of video art. Then enjoy a lively post-screening conversation with Jonas … Mirror Piece I. … Join us for an engaging virtual screening and conversation with groundbreaking artist Joan Jonas.View Left Side Right Side (8:50 min, 1972) and Vertical Roll (19:38 min, 1972), two of Jonas’s most iconic videos from the collections of the National Portrait Gallery and the Smithsonian American Art Museum. It is a sequel to Jonas' first video work Organic Honey's Visual Telepathy. A representation of a person or thing in a work of art. Some of the themes in the performance were revisited throughout Jonas’s subsequent work: myth, ritual, drawing, the body, repetition, and the video camera as a device through which an artist can isolate and show a slice of a larger whole and connect with viewers. Joan Jonas (b. Joan Jonas (born July 13, 1936) is an American visual artist and a pioneer of video and performance art, and one of the most important artists to emerge in the late 1960s and early 1970s. Her video-performances Organic Honey's Vertical Roll and Organic Honey's Visual Telepathy date from 1972. Medium Joan Jonas (born July 13, 1936) is an American visual artist and a pioneer of video and performance art, and one of the most important artists to emerge in the late 1960s and early 1970s. Joan Jonas was born in 1936 in New York. A sliver of Jonas’s face comes into view at the top of the screen. Joan Jonas is a contemporary American artist known for her performance and video work which investigates time, space, and female subjectivity. In my first … In a startling collusion of form and content, Jonas constructs a theater of female identity by deconstructing … “The reason why it’s called ‘Vertical Roll’ [is] because in the piece there’s a rolling bar of the video, which is a dysfunction of the television set,” the artist has explained. A sliver of Jonas’s face comes into view at the top of the screen. Video, black-and-white, sound, 19:38 min. In her refusal to sustain her image within a fixed pictorial space, Jonas uses the mirror-like qualities of the video camera to present herself as a sequence of fragments, suggesting the impossibility of reading identity as something singular and unified. Jonas' interfacing with the material grammar of video was significant to the late 1960s and early 1970s experimentation with new video technology. Joan Jonas Widely known for her work in performance in the mid-'60s, Jonas first incorporated a live video camera and monitor into a 1972 performance, Organic Honey's Visual Telepathy . Photo by Moira Ricci. Progression of Art. The artist begins banging it against a hard surface off-camera, creating an insistent rapping sound in time with the rhythm of the continuously rolling bar and the images it causes to skip. Using an interrupted electronic signal — or "vertical roll" … We have to peer through the screen’s surface to see into its imaginary depths. Joan Jonas, quoted in “Joan Jonas on Feminism,” MoMA.org, https://www.moma.org/explore/multimedia/videos/89/508. For the work, I chose sections of HD’s poem and from her book Tribute to … In this well-known early tape, Jonas manipulates the grammar of the camera to create the sense of a grossly disturbed physical space. One of her most famous pieces, Vertical Roll … The vertical roll obscures the image of the artist herself as she comes in and out of focus—sometimes nude, sometimes masked or costumed. Jonas' projects … Vertical Roll is a 1972 video art piece by American video and performance artist Joan Jonas. Video, black-and-white, sound, 19:38 min. The materials used to create a work of art, and the categorization of art based on the materials used (for example, painting [or more specifically, watercolor], drawing, sculpture). 1972. Classification A spoon appears. Her pioneering experiments and innovations with these relatively unexplored mediums placed her among the foremost women artists to emerge in the early 1970s. Joan Jonas, believing that sculpture and painting were exhausted mediums, became known for her pioneering work in performance and video art. Joan Jonas was born in 1936 in New York, where she lives and works. One who produces a three-dimensional work of art using any of a variety of means, including carving wood, chiseling stone, casting or welding metal, molding clay or wax, or assembling materials. Turned sideways and towards viewers, it slowly emerges fully. But by this time, it may have become very difficult to keep looking. When Jonas made Vertical Roll, television was a widespread phenomenon, and viewers were used to consuming its images. Joan Jonas’s Vertical Roll is widely considered a seminal work in single channel video. Trained in art history and sculpture, Jonas … Photograph: Hiroyuki Ito/Getty Images. In this way, Jonas disrupts our ordinary viewing habits, reminding us that that the flatness of the televisual image is an illusion. 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